这里,我们发表了河北省武强县合立公社读者刘金英同志的来信。刘金英同志提出的问题是值得注意的。最近,一些戏曲工作者和一些读者也不断向本刊反映:在文艺界三年来的大好形势中,在戏曲界上演传统戏、新编历史戏和现代戏的百花齐放的同时,也有少数地区、少数戏曲剧团上演了某些不健康甚至有害的传统剧目。影响是很不好的。为什么会出现这样的坏剧目呢?据说,很多戏曲剧团人员冗多,为了维持生活,增加收入,“按经济规律办事”,先是选那些又好、又能卖座的戏演。这类戏演得差不多了,就选那些次一些但也能卖座的……,逐渐等而下之,不管内 Here, we have published a letter from Comrade Liu Jinying, reader of the Cooperative Commune in Wuqiang County, Hebei Province. The issues raised by Comrade Liu Jinying are noteworthy. Recently, some opera workers and some readers have also continuously reported to this magazine: while the fine performance of literary and art circles in the past three years has witnessed the flourishing of traditional drama, new historical drama and modern drama, there are also a few localities and a few operas The troupe staged some unhealthy and even harmful traditional repertoire. The impact is very bad. Why are there such bad shows? It is said that many troupe troupes are redundant. In order to maintain their livelihood and increase their income, they are “working according to economic laws,” and they first select those good and popular performances. This kind of play is similar, choose those times but also be able to hit the block ... ..., and gradually come to the next, regardless of the