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1939年桂林《救亡日报》上曾敏之的四篇佚文,各属不同类型,但有一个共同的主旨,即强调文艺与抗战的紧密结合,反对“与抗战无关”的创作倾向。曾敏之是当时文学青年的一个典型,从他身上我们也看到了当时文学的时代主潮。“文以载道”、文艺为政治服务(当时最大的政治是抗战)等观念,现在可能颇受某些人的诟病,但在当时,却是每一位有血性、有良知的中国作家的必然选择。此后漫长岁月中,曾敏之持之以恒的文艺观以及创作上的特点,在上述四篇文章中已见明显苗头。这些文章文笔简练清新,干净利索,没有“五四”以来常见的欧化毛病。
In 1939, the four lost articles of Zeng Minzhi on the Daily Salvation Daily were all of different types, but they all had one common theme. They emphasized the close combination of literature and art and the war of resistance and the creative tendencies of “nothing to do with the war.” Zeng Minzhi was a typical literary youth at that time. From him, we also saw the tide of the times in literature. The notion of literary for political service (at that time the biggest political was anti-Japanese war) may now be quite criticized by some people but at the time it was every bloody and conscientious China The writer’s inevitable choice. After a long period of time, Zeng Minzhi’s consistent view of literature and art as well as its creative features have seen signs of obvious signs in the above four articles. These articles are concise, fresh and clean, and do not have the common European problems since the May 4th Incident.