《品花宝鉴》中的名伶都具备与士人一般无二的修养与情趣,分明已经“文士化”。“文士化”伶人形象在某种程度上反映了当时伶界文化和职业状况的一个侧面。清代梨园何以产生如此众多的“文士化”伶人,值得我们作进一步的探讨,这实际上涉及了文学作品中这类伶人形象出现的社会文化背景问题。 “Commodities Poao Kam” in the celebrities have the same with the scholars generally unique culture and taste, clearly “scribe ”. To some extent, the image of “scholarly” actors reflects one aspect of the culture and occupation of the spiritual world of the time. Why there are so many “scholarly” actors in the pear orchard in the Qing Dynasty deserves further discussion? This actually involves the social and cultural background of the appearance of this kind of actor in literary works.