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近二十年来,中国旅游业发展迅猛。为实现区域旅游创收,西南各地政府兴建起多处含风景区、地方习俗及歌舞表演等形式的旅游景点。以湖北恩施州为例,论述人们在旅游开发中挖掘、打造地方传统文化的创造力。这些文化再造是基于真实性的特定内涵及实践活动的正确传承而非消费资本主义的结果。通过借用“忒修斯之船”的理论来探讨旅游真实性问题:假使旧船的每一块木板都被替换,或用旧木板建成一艘新船,到底哪艘才是真正的忒修斯之船?可以说,文化持续性和真实性在于实践中的正确传承,而非物质材料本身的真实来源。探讨中国旅游活动的真实性问题,重要的是要关注文化传统的正确规范的传承及适宜恰当的旅游体验方式。
In the past 20 years, China’s tourism industry has developed rapidly. In order to realize regional tourism income-generating, many governments in southwest China have set up many tourist attractions in the form of scenic spots, local customs and singing and dancing performances. Taking Enshi Prefecture of Hubei Province as an example, this paper discusses the people’s excavation in tourism development and the creativity of local traditional culture. These cultural reintegration is the result of the specific intension of authenticity and the correct transmission of practical activities rather than the consumption of capitalism. By borrowing the theory of “Theseus” to explore the issue of authenticity of tourism: If every piece of the old ship has been replaced, or use a new board built of a new ship, which is the true Intuit repair It can be said that cultural continuity and authenticity lie in the correct transmission of practice, not the true source of the material material itself. To explore the authenticity of China’s tourism activities, it is important to pay attention to the transmission of the proper norms of cultural traditions and appropriate ways of experiencing tourism.