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在中国近现代当代舞蹈史的发展进程中,文艺与大众紧密联系,这使得群众舞蹈的发生具有一定社会与历史必然性。本文认为,以新世纪为时间节点,从新中国成立以来至新世纪以前,群众舞蹈结合中国舞蹈史发展的具体性而呈现走向剧场的精英化的历程,其特点是呈现出由现代性的“分化”功能所带来的一系列艺术本体的相应转变;而进入新世纪以来,由于新兴的消费社会的崛起和大众文化的世俗性与娱乐性要求,群众舞蹈的空间又呈现出向广场回归的倾向,以健身怡情为主要目的广场舞之兴起,则体现后现代社会中“去分化”的力量,生活的质朴与生动由此延展进以往代表着阳春白雪的艺术世界。
In the course of the development of modern Chinese contemporary dance history, literature and art are closely linked with the general public, which makes the mass dance have certain social and historical inevitability. This paper argues that with the new century as a time node and before the new century from the founding of New China, the mass dance combined with the concreteness of the development of the history of Chinese dance presents the process of elitism toward the theater characterized by a modernized “ Differentiation ”function brought about by a series of corresponding changes in the art of the body; and into the new century, due to the rise of the emerging consumer society and the secular and entertaining of popular culture, the mass dance space has shown a return to the square Tendency, the main purpose of fitness and pleasure square dance, the rise reflects the post-modern society “dedifferentiation ” strength, simple and lively life thus extended into the past representing the spring and the snow art world.