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侠在中国的历史源远流长,早在春秋战国时期,侠客们就已活跃于社会之上。汉代司马迁为游侠单独立传,进入魏晋时代以后,侠开始从历史上的真实存在慢慢向小说中的艺术创造过渡。《搜神记》正是这一侠的“史前时期”中最杰出的代表。在《搜神记》中,后世武侠的侠客身份、行侠主题等都已具备雏形。紧承魏晋志怪小说的唐传奇在侠义小说方面有了极大的丰富和发展,宋明之后,侠客的市民化特征更加明显,同时文言小说中的侠和白话小说中的侠开始沿着不同的方向发展。清代则出现了大量的官侠,侠客的气质与先秦两汉时代的古侠渐行渐远。
Chivalry in China’s history goes back to ancient times, as early as the Spring and Autumn Period, the knight who has been active in the community. In the Han Dynasty, Sima Qian was a raid by Ranger. After entering the Wei and Jin dynasties, Xia began to make a transition from the historical real existence to the art in novels. “Search for God” is the most outstanding representative of this man’s “prehistoric period.” In the “search God” in the later martial arts knight identity, the theme of the line of Xiaobian have prototype. The legend of the Tang Dynasty, which was closely related to the Wei and Jin magical novels, was greatly enriched and developed in the chivalrous fictions. After the Song and Ming Dynasties, the characteristics of the chivalric citizenship were more obvious. At the same time, the chivalric and vernacular novels in the classical novels started along different The direction of development. During the Qing Dynasty, a large number of official chivalry appeared, and the temperament of knight-errant was far away from the ancient man of the pre-Qin and Han Dynasties.