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郭志莹本科毕业于天津美术学院中国画系,研究生期间师从霍春阳学习写意花鸟画。他的花鸟画深受“京津画派”的影响,是80年代以来的津派花鸟画的一种延续。“五行之精,粹于天地之间,阴阳一嘘而敷荣,一吸而揫敛,则葩华秀茂,见于百卉众木者,不可胜计。其自形自色,虽造物未尝庸心,而粉饰大化,文明天下,亦所以观众目、协和气焉。”(《宣和画谱·花鸟叙论》)花鸟画是中国画中非常重要的母题。花与鸟象征着自然界的生命力、象征着四时变换的美,同时也隐喻着人世间的“生”趣。正如明代高濂在《遵生八笺》说:“天趣者,神是也。人趣者,生是也。物趣者,形似
Guo Zhiying graduated from the Tianjin Academy of Fine Arts Department of Chinese Painting, graduate students learn freehand flower and bird painting from Huo Chunyang. His flower and bird painting was deeply influenced by the ”Beijing-Tianjin School of Painting“ and was a continuation of the Jin-style flower and bird painting since the 1980s. ”Essence of the Five Elements, pure in the world between the yin and yang, a shushing and Fu Rong, a suction and convergence, the Chinese Hua Xiu Mao, seen in the hundred Homosaka, Victory can not be counted. Without a sense of dedication, while the whitewashing, civilized world, so the audience, co-ordination Yan Yan. “(” Xuanhe picture book, narration of flowers and birds “) Flower and bird painting is a very important motif in Chinese painting. Flowers and birds symbolize the vitality of nature, which symbolizes the beauty of the four o’clock transforms and at the same time metaphorical interest in life. Just as Gaoxing in the Ming Dynasty said in ”The Book of Zunzheng“, ”God is also God."