秦腔《会阵招亲》,从五十年代到八十年代,剧本和演出一直在改动,特别是最近赴日演出,由于考虑到国外观众和现在国内年轻观众的欣赏习惯,改动更多一些。但不论哪一次的改动,从改革的路子和导演思想上讲,我们总是着眼于“推陈 Qin chamber “recruit”, from the fifties to the eighties, the script and the show has been changing, especially in recent performances in Japan, due to take into account the foreign audience and now the domestic audience of young people to enjoy the habit of change more. But no matter what the changes, from the perspective of reform and director of thinking, we always focus on "pushing Chen