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引言中国画繁衍生息于中国古代特定的历史文化土壤之中,造就了封闭自足的文化观念、精神蕴含和语言体系。尤其是作为中国画之大宗的山水画,自肇创之日起,就被赋予了“媚道”“观道”“畅神”的功能,成为古人“披图幽对,坐究四荒”“澄怀味象”的赏玩对象。无疑,山水画的精神渊薮是老庄玄学思想。唐时,山水画分化为青绿、水墨两途,呈现出色墨交辉、工写并举的局面。宋时,山水画既有“三家鼎峙,
Introduction Chinese painting has flourished in a specific historical and cultural soil in ancient China, creating a closed self-contained cultural concept, spiritual implication and language system. In particular, as a landscape painting of the bulk of Chinese painting, since the day of its creation, it has been given the function of ”Pai Dao“, ”Guan Dao“ and ”Che Shen Shen“ Sitting in four famine ”“ Cheng Huai taste like ”object of the game. Undoubtedly, the essence of landscape painting is Laozhuang metaphysics. When the Tang Dynasty, landscape painting differentiation into green, ink two routes, showing outstanding Mexican diplomacy, writing and writing the same situation. Song, both landscape painting "three Ding Zhi,