一个习惯于行踪不定、习惯于流浪的漂泊者,与一个远离城市的水乡一角的女子,两者之间可能达到的亲密关系,只能是须臾相交、乍然分离。对于因易平山一声“太太”而心动、戒备与疑虑渐渐消散的石苔青而言,对爱的期望的再次失落,不能不说是悲剧。但悲剧云云不是方淳主要关注的问题。她细细刻画出易平山在这个过程中一步步的心理活动,以及与此映衬的石苔青有点一厢情愿的想望,目的不过 An intimacy that may accrue to a man who has been accustomed to uncertainties and accustomed to wandering and to a woman away from the waterfront of the city can only be divided into two parts at first glance. For Ishi-mirai, whose heartbeat, alertness and anxiety are gradually dissipated due to Yi Ping-shan’s “wife,” the loss of the hope of love again can not but be tragedy. But tragedy is not the main concern of Fang Chun. She carefully portrayed Yi Pingshan’s step-by-step psychological activities in the process, as well as the background of a bit of wishful thinking about the stone moss