此画取近景,山体宽阔,独峰离耸,具有纪念碑式的崇高感。这样的构图在傅抱石作品中颇为罕见。画山的笔势虽然保持着一贯的奔放,多用重墨勾皴,淡墨泼画,间染淡青绿和赭石,山势轮廓清晰,其浅淡处翠色斑驳,坚凝而湿满,极似雨后的景象。画家对天空的刻画,是以淡墨,花青和淡赭多层次 This draw close shot, wide mountain, independence peaks towering, with a monument of lofty sense. Such composition is quite rare in Fu Baoshi’s works. Although the momentum of painting the mountain has maintained a consistent unrestrained, multi-purpose heavy ink thick, light ink painting, pale green and ocher between the clear outline of the mountain, the light Department of mottled mottled, firm and wet, like the rain After the scene. Painter’s portrayal of the sky is based on multi-levels of light ink, cyanine and pale ocher