中国戏曲以共同的演剧体系而又具不同剧种个性的绚丽形态,在不断吸收融汇中壮大着更新变革的能力,历千百年而仍然活跃在当今的艺术舞台上。它以自由时空的结构原则和演员为中心的非自然生活形态的表演,呈现着高度的虚拟性和程式化,以及文学、音乐、舞蹈、美术等艺术元素的综合性特点。戏曲虚拟性、程式化的表演并非着眼于动作的模仿,而是强调情动于中而形于外,赋予形式以 Chinese opera, with a common theater system but with different forms of playful personality, is constantly absorbing and expanding its ability to update and change. It has been playing an active role in today’s art scene for thousands of years. Its performance based on the principle of free time and space and the performers’ non-natural life shows a high degree of virtuality and stylization as well as the comprehensive features of art elements such as literature, music, dance and art. The drama virtuality, the stylized performance is not focused on the imitation of the action, but emphasizes the emotion in the form and form,