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张彦远的《历代名画记》说:“山水之变,始于吴、成于二李。”吴指唐代吴道子,二李是李思训、李昭道父子。张彦远所谓“山水之变”,乃指中国画由人物为主向山水为主之“变”,而此时之山水,系指着色山水,亦即青绿金碧山水,而非水墨山水。所以,北宋郭若虚《图画见闻志》谓“水墨类王维,着色如李思训。”五代画家荆浩在《笔法记》中亦说到此点:“李将军理深思远,笔迹甚精,虽巧而华,大亏墨彩,”称“吴道子笔胜于象,骨气自高,树不言图,亦恨无墨”。“亏墨彩”恨无墨”都是指非水墨山水画。
Zhang Yanyuan’s “Famous Paintings in Various Dynasties” said: “The transformation of landscapes started with Wu and became the second Li.” Wu refers to Wu Daozi in the Tang Dynasty, Li Li is Li Sijun and Li Zhaodao’s father and son. Zhang Yan-Yuan The so-called “change of landscape” refers to the “change” of Chinese painting from landscape to landscape, and the landscape at this time means colored landscape, that is, green landscape and golden landscape rather than ink landscape. Therefore, the Northern Song Dynasty Guo Ruoxu “picture see Wenzhi” that “ink class Wang Wei, coloring, such as Li Sixin.” Five generations of artist Jing Hao in the “pen calligraphy” also said of this point: “Li general deep thinking, handwriting is very fine, Although clever and China, thanks to ink color, ”said“ Wu Daozi pen is better than the image of self-esteem, the tree does not map, but also hate ink. ” “Loss ink color” hate ink "refers to non-ink landscape painting.