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十二年前,我撰文《重读秋思》发表在《花木盆景》2004年第2期,以炽热的情怀感悟《秋思》的魅力所在。该作以现实主义创作手法再现元曲《天净沙·秋思》的秋林夕照,极致地表现盆景创作的意境美。《秋思》是大师在继承传统的基础上高屋建瓴,独辟蹊径,采用极其普通的多树种素材,以崭新的创作理念及前所未有的制作手法创作出来的精品,在首届中国盆景评比展览上获一等奖,被誉为中国盆景的经典之作,其艺术感染力影响至今,为中国动势盆景理论的形成与推广,在敢于创新、勇于
Twelve years ago, my article “Rereading Qiu Si” was published in “Flower Bonsai”, No. 2, 2004. It glorifies the charm of “Autumn Thoughts” with a passionate feeling. The realism for the creation of the work to reproduce the elemental “Tianjing Sha · autumn thinking” Autumn sunset, the ultimate performance of artistic conception of bonsai creation. Autumn Master is a masterpiece based on the traditional inheritance. With its unique style and multi-tree materials, the brand new creation concept and the unprecedented production techniques have won the first prize in the first China Bonsai Exhibition, Known as the classic of Chinese bonsai, its artistic appeal so far, the development and promotion of China’s dynamic bonsai theory, dare to innovate, courage