影片的细节描写真实与否,在一定程度上决定着主题的深化程度和人物形象塑造的成败。而细节描写中所用的道具又和人物内心世界有着绝妙的联系。在影片《伤逝》里,有这样一组镜头:飞出笼子的小鸟又被鸟贩子重新抓了回来。虽然这在鲁迅先生的原著中并没有,但是小说中却有这样一段话:“局里的生活,原如鸟贩子手里的禽鸟一般,仅有一点小米维系残生,决不会肥胖,日子一久,只落得麻痹了翅子,即使放出笼外,早已不能奋飞。现在总算脱出这牢笼了,我从此要在新的开阔的天空中翱翔,趁我还 The true description of the film or not, to a certain extent, determines the deepening of the theme and character image of the success or failure. The details used in the description of props and the inner world has a wonderful relationship. In the movie “Mourning,” there was a series of shots: the birds flying out of their cage were caught again by the traffickers. Although this does not appear in the original works of Mr. Lu Xun, there is a passage in his novels: "The life in the bureaucracy was originally like the birds in the birdmonger’s hands. Only a little millet remains the remnant and will never be fat. A long time, only to get paralyzed wings, even if the release of the cage, has long been unable to fly, and now finally out of this cage, and I will soar in the new open sky, while I still