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唐代诗体观应该包括唐代及其后代诗人对唐代诗体的认识理解及其界定。即包括对诗歌体裁分类、诗体艺术特征、创作法则等方面的认识,甚至还包括对与诗体形式特征相关联的内容特征的认识。明代效拟唐诗体式而进行创作蔚然成风,从初唐至晚唐五代,从大诗人到无名诗人,都有大量的效拟唐诗之作。这些以唐诗为典范的再度创作,既传承了唐诗内容和形式的精华,又有明代诗人自己的独特创造,形成了唐诗传播史、接受史上一道靓丽的风景线。诗体概念内涵小外延大,是我国古代“诗体”表现的特异之处,基于这样一种传统,在挖掘整理明朝的唐代诗体观资料时,就从以上多方面加以考虑进而进行搜集和整理。
The conceptions of Poetry and Style in the Tang Dynasty should include the comprehension and definition of the Tang Dynasty ’poety in the Tang Dynasty and its descendants. That is to say, it includes the classification of poetry genre, the characteristics of poetic art, the law of creation and so on. It also includes the understanding of the features of the content that are associated with the formal features of poetic form. From the early Tang Dynasty to the late Tang Dynasty and the Five Dynasties, from the great poets to the unknown poets, there are a large number of works for the Tang poetry. These re-creation of the Tang poetry as a model, not only inherit the essence of the content and form of the Tang Dynasty, but also the unique creation of the Ming Dynasty poets, forming the history of the spread of Tang poetry, accepting a beautiful landscape in the history. Based on such a tradition, when excavating and sorting out the data of the Tang Dynasty’s poetic style and concept of the Ming Dynasty, we should consider it from the above aspects and proceed with it Collect and organize.