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本文将以美国作曲家-罗斯·芬尼创作的儿童钢琴曲集《创意曲》为例,截取其中的两部作品——《March》、《All Alone》进行较为深入的分析。针对作品的创作特点,就“镜像结构”这一创作思维模式在作品中的组织方式及应用进行解读,重点关注其与“十二音”、“纵向音高轴心对称”等创作技法的有机结合。通过详细的图形化分析,明晰镜像结构在音乐中的形态,由表及里地单项剖析每种创作技法,从而发现和总结出表象背后的“弦外之音”。梳理总结镜像结构的类型,解读作者的创作思维。
This article will take the children’s piano album “Creative Song” by American composer Rose Finney as an example, and intercepts two of the works - “March” and “All Alone” for a more in-depth analysis. According to the creative features of the works, this paper explains how the creative mode of “mirror structure” is organized and its application in the works, focusing on its symmetry with the “twelve syllables”, “longitudinal pitch axis symmetry ”And other creative combination of organic techniques. Through the detailed graphical analysis, the structure of the mirror image in the music is clarified, and each creation technique is analyzed individually from the table to find and summarize the “sound outside the surface” of the appearance. Summarized the type of mirror structure, interpretation of the author’s creative thinking.