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看不见的手归于虚构之物;它们鲜有操纵历史。但恰如爱默生[Emerson]认为所有公共改革都源自一次私人意见,则艺术史的每次发展背后,都有一本书。在法国艺术史学者埃米尔·马勒[Emile Male]眼中,繁荣于17和18世纪欧洲的寓意式艺术[allegorical art],其背后的那本书就是16世纪意大利人切萨雷·
Invisible hand is attributed to fiction; they seldom manipulate history. But just as Emerson believes that all public reforms stem from a private opinion, there is a book behind every development of art history. In the eyes of the French art historian Emile Male, the allegorical art that flourished in Europe in the 17th and 18th centuries was the book behind the 16th century Italian Cesare