近年来微电影面临着一些创作上的困境,不能仅以网络监管不力、草根的局限性来解释这一现象。应从当前中国的经济、政治、文化语境入手分析,会发现由于当前中国处于向新常态的过渡转型期,中国民众面临着多种经济社会发展难题,由此滋生了负面的焦虑情绪。而微电影却以后现代的手法过分放大了社会焦虑情绪,以至于陷入了创作泥潭。因此只有在新常态下进行解构和建构,微电影才能获得健康发展。 In recent years, micro-film is facing some creative difficulties. We can not explain this phenomenon only by the ineffective network supervision and grass-roots limitations. The analysis should start with the current economic, political and cultural context in China and find that due to the current transitional period in transition to a new normal in China, the Chinese people are faced with many problems of economic and social development, which have given rise to negative anxiety. However, the micro-movie has excessively enlarged the social anxiety afterwards by modern means, so that it falls into the quagmire of creation. Therefore, only in the new normal deconstruction and construction, micro-film to achieve healthy development.