中国现代文学在电子语境下遭受到前所未有的挤压和渗透,尤其是网络出现以后,现代文学经典的当下接受再次出现了动荡。网络中出现了虚拟社区的对现代作家作品的关注、批评,以及这些年的微博热对现代作品的传播等,但是,受众对现代文学经典的接受在新旧媒介中迥然不同。当下关于现代文学经典的研究基本都是在经典文学自身立场基础上建立起来的,受到经典主义观的束缚,学术研究更多地集中在大众审美趣味与精英文化之间关系等问题上,经典的探讨逐渐成为一 Modern Chinese literature has suffered an unprecedented squeeze and infiltration in the electronic context. Especially after the advent of the Internet, the present acceptance of modern literary classics once again brought turmoil. The emergence of the virtual community’s attention to and criticism of modern writers’ works in the network, as well as the spread of modern works by Weibo Hot in these years, etc. However, the audience’s acceptance of the modern literary classics is very different from the old media. The contemporary research on modern literary classics are basically based on their own standpoint of classic literature established by the classicism of the constraints, academic research focuses more on the aesthetic taste of the public and the relationship between the elite culture and other issues, the classic Explore gradually become one