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本刊今年第三期发表了《关于“后现代主义”笔谈讨论的征稿启事》,其中明确表明,这场讨论的议题,不想分散而想集中,“准备从这样一个连锁题目来展开,即《什么是‘后现代主义’》及《‘后现代主义’和我们建设有中国特色的当代文化与当代美术的事业有什么关系》”。启事刊登后,不断收到热情来稿,但所论问题仍然很分散,有的文章甚至纠缠到西方歧义百生的“后现代主义”乱麻阵中去继续生发歧义,这不是本刊组织这场讨论的初衷。为了便于讨论集中而有效,我们决定把讨论的中心议题提得更清楚明了些,哪怕题目长一些,即:“中国当代艺术建设和西方现代主义、后现代主义艺术有何关系”。
In the third issue of this year, the journal published the Call for Papers on the Post Commentaries on Postmodernism, which made it clear that the topic of this discussion, instead of being scattered, would like to concentrate on preparing for such a chain title as “ What is the relationship between ’postmodernism’ and ’postmodernism’ and the cause of our contemporary culture with Chinese characteristics and contemporary art? ” After the publication of the incidents, there has been continuous enthusiastic submission of manuscripts. However, the issues discussed are still fragmented. Some articles even entangled the “postmodernism” of Western ambiguities to continue to generate ambiguities. This is not the reason why this magazine has organized this discussion The original intention. In order to make the discussion more focused and effective, we decided to make the central topics of the discussion clearer, even if the topic is longer: “What is the relationship between the construction of contemporary Chinese art and Western modernism and postmodernism?”