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一、迪基《美学导论》的结构和方法迪基的《美学导论》(1997)与其他美学原理不同的地方,在于它是一本紧紧围绕美学史来讨论美学原理的著作。这样,一方面,它用美学原理的框架去把握美学史,让美学史呈现了一个美学原理的结构;另一方面又用美学史来讨论美学原理的问题,把美学原理的一个个重要问题都放到了美学史的视野之中。这样做的好处,就是把美学史与美学原理统一了起来,但这一统一的结果,当然又使美学完全限制在西方美学的范围之内。也正因为如此,它的西方性鲜明地显示了出
I. The Structure and Method of “Introduction to Aesthetics” by Dickie Differentiated from other aesthetic principles, Dicky’s Aesthetics in Introduction (1997) is that it is a book that discusses aesthetic principles closely around the history of aesthetics. In this way, on the one hand, it uses the framework of aesthetic principles to grasp the history of aesthetics, so that the history of aesthetics presents a structure of aesthetic principles; on the other hand, it discusses the problems of aesthetic principles with the history of aesthetics, Into the perspective of aesthetic history. The advantage of doing so is to unify the history of aesthetics with the principles of aesthetics, but the result of this unification, of course, completely limits aesthetics to the scope of Western aesthetics. Precisely because of this, its westernity has shown itself clearly