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张彦远说:“上古之画,迹简意澹而雅正,顾陆之流是也;中古之画,细密精致而臻丽,展郑之流是也;近代之画,焕烂而求备;今人之画,错乱而无旨,众工之迹也。”[1]综观古今,文人画家、教育家们好以“古典中国风格”再造古典风韵,仿古派以得古人“脚汗气”为荣,石涛则以“师古人之心”发现了自我。若将山水的千形百面、四时朝暮等都汇入一幅桂林山水画中,不同的人会因所处年代不同而以不同的艺术品评、创作意图、形色构图来唤起不同的过
Zhang Yan-yuan said: “The paintings of ancient times are tracery and elegant, and the flow of Gu Luzhi is also; the paintings of the Middle Ages are refined and refined, Today’s paintings, confusion and no purpose, the work of the public also. ”[1] Throughout the ancient and modern, literati painters, educators are good to“ classical Chinese style ”to recreate the classical charm, antique pie to the ancients Foot sweat “proud, Shi Tao is to ” teacher’s heart "found himself. If the landscape of thousands of cheeks, four o’clock twilight and so on into a Guilin landscape painting, different people will be different because of the age of different art criticism, creative intentions, the composition of the composition to arouse different