长期以来,在京剧研究领域中,有关京剧服饰(即行内术语所称之“行头”)的研究一直是一个相对薄弱的环节。虽然在各类普及京剧知识的词典、手册中对京剧服饰也有所介绍,但由于受体例的限制,也无法专门就京剧行头这一专题进行全面、深入和系统的介绍及解读。至于说要找到有关京剧行头的一本独立并且相对系统而又深入浅出的读物,更是很难,这也就造成一部分求知者尽管也想深入了解这方面的知识,却每每不能如愿的现实。为什么会在京剧理论建设中形成上述的情况呢?我个人以为这其中有着来自于京 For a long time, in the research field of Peking Opera, the research on Peking Opera costumes (the so-called “head” in line terms) has always been a relatively weak link. Although various types of Peking opera dictionaries and brochures have been introduced to Peking opera costumes, there is no way to give a comprehensive, in-depth and systematic introduction and interpretation of the topic of peking opera because of the limitations of the law. It is even more difficult to find an independent and relatively systematic and easy-to-read book on the theme of Beijing Opera, which often results in the fact that some of the learners, though they also want to know more about it, can not do so. Why is the formation of the above-mentioned situation in the theory of Beijing Opera? I personally think that this one has come from Beijing