现在越来越多的人认识到，过去几十年里，那种在艺术上不加选择地强调“人家有的我们也要有”的思想，那种基于民族乐器和民族乐队‘音不准”、“音色太刺耳”、“音域太窄’、“转调不方便”的思路而在竹笛上加键、在二胡上加指板、把阮或马头琴放大后当成大提琴立在地上拉、 Now more and more people are aware that in the past few decades, those who artistically indiscriminately emphasized the idea of ​​“others we also need to have,” that the sound based on ethnic musical instruments and national orchestras are not allowed “,” Too harsh tone “,” too narrow range “,” transfer inconvenient "train of thought in the bamboo flute on the plus key, add fingerboard on the erhu, the Nguyen or Matou enlarge as the cello stand on the ground,