中国油画从借鉴到自觉、从传统到现代的发展过程,呈现出多重意义,也因此具有了如下特征:追求意味悠远,且具有诗化的美;从主观情感出发,从“意象”空间出发,侧重于抒情与写意;侧重于艺术的静态空间表现;侧重于人生意义的静观玄览与人生境遇的品味体验。在笔者看来,把东方民族观照世界与自然的意象思维方式和叙述经验融合入油画语言的审美结构中,如此方能形成本民族独特的意象油画。 Chinese oil painting has multiple meanings from reference to conscientiousness and development from tradition to modernity. Therefore, it has the following characteristics: the pursuit of meaning is distant and has poetic beauty; starting from subjective emotion, from the perspective of “imagery” It focuses on lyricism and freehand writing. It focuses on the static spatial performance of art. It focuses on the tasteful experience of life’s metaphysics and life situations. In the author’s opinion, the thinking mode and the narrative experience of the oriental people’s contemplation of the world and nature in the aesthetic structure of the language of oil painting are incorporated into the aesthetic structure of the oil painting language so as to form the unique imagery painting of this nation.