中国画的“笔会”该休乎？ “笔会”，古代称雅集，而且是文人之间的雅集，当代社会情境的转换与“文人”身份与质量的褪变，“雅”集也变得“雅”不起来，赤裸裸地称谓“笔会”随之产生，一种古代清雅可赏、诗情画意的脱俗境界质变为大家手持自家“武器”到场的表演。再加上当代社会的功利性、消费性、时尚性等特性背景，更很难使“笔会”“雅”起来。 当然，从文化交流传播角度讲，笔会也有其特定意义，其最大可能潜在的作用就在于直接地教育、引导了一批批人民群众，传布高雅文化于民间，让他们也能领略到束之高阁的艺术到底是怎么回事。 我想大家会一致反感的是，画家过分地热衷于笔会而且作品水平一般，格调全无。 其实，我们还是抱有一个理想，就是在条件具备的情况下，与一些尚可视为今日“文人”的艺术家再畅叙、追慕古人之“雅集”。如此，倒也有几分意味。 Chinese painting “pen will” rest? “PEN”, ancient called elegant, but also the elegant set of literati, the transformation of contemporary social context and the “literati” identity and quality of faded, “elegant” set has become “elegant” not up, starkly appellation As a result, the pen will come into being. As a refined and elegant ancient poet, the poetic, refined and refined realm of the poetic quality turned into a show where everyone armed with their own weapons was on display. Coupled with the characteristics of contemporary society, such as utilitarian, consumer, fashion and other characteristics of the background, it is more difficult to make “pen” “elegant” together. Of course, from the point of view of cultural exchange and communication, Pen has its own specific significance. The greatest potential role lies in directly educating and guiding a group of masses of people, spreading elegant culture in the private sector so that they can also appreciate the art of shelving what is the problem. I think everybody will unanimously repent that the painter is overly keen on pen pens and his works are of a general style and no style at all. In fact, we still have an ideal that we should talk with some artists who can still be considered as “literati” today and pursue the “elegant collection” of the ancients only when conditions permit. So, there is a bit mean.