一座城市的文化软实力和国际影响力是由诸多因素构成的。城市雕塑是其重要的元素,它往往是城市精神、城市灵魂的符号与象征。它的非实用性决定了其应有的纯粹以及应当承载的文化内涵和精神价值。严格意义上讲,中国城市雕塑不过一百年的历史。上个世纪20年代,从立《孙中山像》始到1949年新中国成立,基本上是学习欧洲肖像塑造法和纪念碑建造法,为中国的反帝反封建民族解放而创作雕塑。1950年至1980年以前,苏联革命现实主义理念方式与欧洲方式并存,为纪念革命胜利、讴歌建设、为工农和领袖而创作雕塑。1980年至今,改革开放、思想 A city’s cultural soft power and international influence are made up of many factors. Urban sculpture is an important element, it is often the city spirit, symbol of the city’s soul and symbol. Its non-practicability determines the cultural connotation and spiritual value that it should have purely and should carry. Strictly speaking, Chinese city sculpture is only a hundred years old. In the 1920s, starting from the establishment of “Sun Yat-sen Image” until the founding of New China in 1949, it basically learned the European portrait-building method and the monument building method and created the sculpture for the liberation of China’s anti-imperialist and anti-feudal ethnic groups. From 1950 to 1980, the concept of revolutionary realism in the Soviet Union co-existed with that in Europe. In commemoration of the victory of the revolution, construction of the eulogies and sculptures for workers, peasants and leaders, the revolutionary realism of the Soviet Union was modeled on it. Since 1980, reform and opening up, thinking