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中国的现实主义作家茅盾和日本的唯美主义作家谷崎润一郎在人物形象的塑造上有一个惊人的相似点,那就是具有感官蛊惑力的女性形象的塑造。女性被抬高到受崇拜的女神的地位,但女性通过身体感受自身存在的努力又在男性欲望的操纵下被消解,女神滑落为玩具。然而充满肉感魅力的身体是达到精神与灵魂满足的基础和唯一途径,玩具具有了象征的意义。不同的创作原则促使两位作家的女性审美意识最终指向现实与唯美两种不同的途径。
Mao Dun, a Chinese realist writer, and Junichiro Tanizaki, a Japanese aestheticist, have an astonishing similarity with the shaping of the image of women, that is, the shaping of the sensual and enchanting female figure. Women are elevated to the status of goddess of worship, but women are digested by men’s desires under their own efforts to feel their own existence, and the goddess slips into toys. However, full of glamorous body is to achieve the spirit and soul to meet the basis and the only way, the toy has a symbolic meaning. Different creative principles led the two writers’ aesthetic awareness of women finally pointing to two different ways of reality and aesthetic.