仅仅使用冷静、克制、浓缩或者类似的词语,或许并不能抵达向阳诗作的最深处。而向阳此处的近作,只一首《抽烟》,就让我愿意去掉第一句话里的“或许”二字。这自然是来自日常生活的一些平凡得可以忽略的细节:香烟的包裹和名称,燃烧的进行和完成,甚或再联想多一点的愁闷和惬意。但诗人突然逆转了 It may not be possible to reach the deepest part of Xiangyang’s poetry by merely using calm, restraint, condensed or similar words. The sun near here, only a “smoking”, let me be willing to get rid of the first sentence of “perhaps” word. This is naturally something trivial and trivial to come by from everyday life: the parcel and name of the cigarette, the progress and completion of the burning, or even the more gloomy and agreeable feeling. But the poet suddenly reversed