目前,当代艺术在中国的发展已经越来越偏离应有的先锋本质而朝向对金钱和权力的膜拜。在名利场的带动下,由金钱和权力所形成的特殊场域不仅牵引着当代艺术发展的方向,而且还规定着艺术品呈现的形状。在资本市场引导下的当代艺术形态,最终去向是由展览馆走向拍卖大厅和收藏场所。而能够进入拍卖和收藏环节的艺术品则毫无例外地受到资本的约束:在作品形态上迎合了被收藏和被消费的惯常标准。不仅作品的尺寸,而且是作品表现的方式和内容也大抵符合适宜销售的架上绘画的一 At present, the development of contemporary art in China has been deviating more and more from its vanguard nature and heading toward the worship of money and power. Driven by Vanity Fair, the special field formed by money and power not only leads the direction of the development of contemporary art, but also provides the shape of artwork. Under the guidance of the capital market, the contemporary art form eventually moves from the exhibition hall to the auction hall and the place of collection. The art that enters the auction and the collection is, without exception, capitalist: it caters to the customary standards of collection and consumption in the form of the work. Not only the size of the work, but also the way and content of the performance of the works are generally in line with the appropriate sale of a shelf painting