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抗日战争爆发后,在中国文化界救亡运动的影响下,摄影和绘画界掀起了抗战救亡的宣传运动,成为这一时期救亡文艺宣传的重要组成部分。摄影和绘画作品以更加直观而真实的图像进行抗战宣传,唤醒了百姓的抗战意识,为团结全民族一致抗战做出了重要贡献,起到了很好的宣传效果。相对于口头、文字等其他形式的宣传而言,以摄影和绘画为主的这种图像宣传所具有的优势和效果十分明显。
After the outbreak of the Anti-Japanese War, under the influence of the national salvation movement in the Chinese cultural circle, the photography and painting circles set off a propaganda campaign of fighting against the Japanese nation and saving the nation. It became an important part of propaganda and literary salvation during this period. Photographing and painting work carried out propaganda on the war with more intuitive and real images, awakening the people’s awareness of the war of resistance against Japan and making important contributions to uniting the whole nation in unison in the war of resistance and playing a very good publicity effect. Compared with verbal and other forms of publicity, the advantages and effects of such image promotion mainly based on photography and painting are obvious.