中国传统戏曲“以表演为中心”的美学精神与二十世纪六十年代波兰戏剧家格洛托夫斯基提出的“贫困戏剧”的理念,虽然一个在中国,一个在西方,一个是针对戏曲,一个是论说话剧,但却有异曲同工之妙,也可以说是完全相通的。即把戏剧艺术中不是必须的“附加物”排除掉,把焦点完全集中在戏剧的必不可少的两大元素——演员与观众身上,均是要求要以演员精湛的技艺,以表演为中心,完全靠演员下功夫,不靠或少靠别的东西。在舞台上可以加 The traditional Chinese opera “performance-centric” aesthetics and the concept of “poor drama” put forward by Polish dramatist Grottovsky in the 1960s, though one in China and one in the West, One is directed at the opera, one is talking about drama, but there are similarities and differences, with the same purpose, it can be said is completely similar. That is to exclude the “artefacts” that are not necessary in the art of theater, and to concentrate exclusively on the two indispensable elements of drama - actors and spectators, are all required to perform their works with performer skills As the center, entirely by the actors work hard, do not rely on or rely on other things. Can be added on the stage