几年前，在编撰《中国肖像：十年精神史》一书时，我曾对中国肖像画的现状表示了极大的不满。原因是，当代肖像画过份关注人的世俗品质，流水帐般地记录了无数个不同的角色和形象，差不多快成了摄影术。作为一般的肖像画，这没什么不好，但从肖像艺术创作的角度上看，失去了超 A few years ago, in compiling the book “Portrait of China: A Spiritual History of the Decade,” I once expressed my great dissatisfaction with the status quo of Chinese portraits. The reason is that contemporary portraits pay too much attention to the secular qualities of people and record a myriad of different characters and images on account of their accounts, almost becoming photography. As a general portraits, this is nothing wrong, but from the perspective of portraiture creation, lost super