论文部分内容阅读
在当代美术及艺术学院的教学过程中,美术学理论相关专业往往大范围地取消与绘画相关的课程训练,转投以史料及方法相关的专业性研究,是出于理论专业学科发展规律的客观需要。但美术实践训练的逐渐缺席,一方面,丧失了依附于美术学院大教学体系的优势;另一方面,也在研究过程中造成研究者缺乏对于研究对象的深入理解。作者结合自身的写生及科研经验,阐述在美术学理论教学体系引入以写生为主要形式的美术实践训练的重要性及具体方法。
In the teaching process of contemporary art and art academies, the related major of art theory often cancels the training related to painting on a large scale. It is the objective requirement of the development discipline of the theory major that the professional studies related to historical materials and methods are switched to. . However, the gradual absence of practical training in art, on the one hand, has lost the advantages attached to the teaching system of art academies; on the other hand, it has also caused researchers to lack a thorough understanding of the subjects during the research. The author, combining his sketching and scientific research experience, elaborates the importance and concrete method of art practice training which takes sketching as the main form in art teaching theory.