我写字,自小就习惯干研墨,对好墨的情感来自于不断在博物馆里看书画原作的经历。古墨精美的板子设计和雕刻技艺是手工业时代的产物,也是中国文人数千年间研磨文化的同时,研磨细腻情感和审美理想的独特物品。前后淘来的老墨锭,都被我一一试过。就像和不同性格的朋友交流,我发觉每条老墨锭有着他不同的特性。研着这些不同的墨锭,看着他们在清水里划出丝丝墨痕,伴着吐出的幽幽芳香,再到宣纸上面细腻而丰富,变幻无穷的色彩变化。其中妙味,真用语言说不出来。将心爱的墨锭一点点研掉,是件令人惬意同时又令人矛盾的事情。手中的墨锭,渐渐短去,就如同个体的生命,在演绎出精彩的同时,自然而然,潇洒精 I used to study ink since I was young, and my passion for good ink comes from the constant experience of reading and painting in the museum. The exquisite board design and engraving skills of ancient ink are the products of the handicraft era and the unique articles of Chinese people who grind the delicate emotions and aesthetic ideal while grinding the culture for thousands of years. Amoy before and after the old ink ingot, I have been one by one tried. Like communicating with friends of different personalities, I found that each old ink stick has his different characteristics. Studying these different ink sticks, watching them in the clear water cut out the slightest ink, accompanied by the spit of faint fragrance, and then to the delicate and rich rice paper, changing color changes. Wonderful, really language can not tell. It is a pleasant and contradictory thing to get rid of your favorite ink sticks a little bit. In the hands of the ink stick, gradually shortening, just as individual life, in the interpretation of the wonderful at the same time, naturally, smart