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滚门是南音乐人对福建南音曲目分类系统的特殊称谓,是福建南音的重要组成部分。通过具体音乐形态分析,可知其模式特征主要体现为:其一,经过历代中国传统音乐的历练洗礼,福建南音逐渐形成一套以滚门为核心,含管门、撩拍、滚门、曲牌、乐曲等具体层次的曲目分类系统。它们相互之间按照从属逻辑关系彼此相互制约,滚门在其中占有绝对核心地位。其二,福建南音滚门的“大韵”旋律具有鲜明的模式特征。首先体现在不同类型的滚门各自拥有不同的“大韵”旋律,同一滚门不同曲牌的“大韵”往往大致相同。“大韵”是辨别滚门曲目系统的重要特征,滚门的“大韵”旋律是福建南音曲目繁衍的重要手段。福建南音作为一个在传统社会中自发生息的民间乐种,在特定文化中的传承中体现了文化群体的高度审美认同。
South Gate is the South musician Fujian Nanying track classification system, a special title, Fujian Nanyin an important part. Through the analysis of specific music forms, it can be seen that its mode features are mainly as follows: Firstly, Fujian Nanyin has gradually formed a set of rolling door as the core, including door, upside down, rolling door, Music and other specific levels of track classification system. They mutually restrict each other according to the subordinate logic relations, in which the gate occupies the absolute core position. Second, Fujian Nanyin rolling door “big rhythm ” melody has a distinctive pattern features. The first is reflected in the different types of roller doors have different “big rhythm ” melody, the same roller different song “big rhyme ” tend to be roughly the same. “Big rhyme ” is to identify the important features of the rolling door track system, “big rhythm ” melody is a key means of Fujian Nanyin reproduction. Fujian Nanyin, as a folk music genius spontaneously born in traditional society, embodies the highly aesthetic approval of cultural groups in the inheritance of particular cultures.