粤剧唱腔门类丰富,叫法形象而有个性。除大喉、平喉、子喉外,还细分出“河调”、“左撇”、“子母喉”等唱法,塑造人物形象及抒发戏剧情感时,多姿多彩、淋漓尽致。随着表演行当的简单化及观众审美趣味的改变,粤剧粤曲中的一些传统唱法渐渐被遗忘。了解这些“不时兴”的技巧,对于演员悟性的提高或许会有帮助,于观众而言,也能增加看戏听曲的趣味。红线女不喜欢“子母喉”红线女在谈到粤剧演唱的运腔问题时曾说:“我们粤剧有一种所 Cantonese opera singing a wide range of categories, called the image and personality. In addition to the big throat, flat throat, throat, but also subdivided ”river tune “, ”left “, ”mother and daughter throat “ and other singing methods, shaping the character image and express the emotional drama, Colorful, vividly. With the simplification of performances and changes in the audience’s aesthetic tastes, some of the traditional singing styles in Cantonese Opera Cantonese songs gradually become forgotten. Knowing these ”not fashionable“ tricks may help to increase the understanding of actors, and increase the interest of the audience in listening to music. Red line female do not like ”mother and daughter throat “ red line woman talked about the Cantonese opera singer said: ”We have a Cantonese opera