面对“全球文化趋同”的蛊惑,我们的建筑设计师或直接缴械投降,或以“地域主义”苦苦支撑,中国的建筑个性正在走向两个极端:一是盲目的推行“国际主义”,放任内心深处的传统价值观的深刻堕落;一方面以非理性的“机械性地域主义”来抵御“文化趋同”的侵袭,大量制造“假古董”,假装我们的传统文化依然根深叶茂。然而不论是哪一种倾向,都不能改变我们的建筑设计正经历着民族性格的沦丧。“批判的地域主业”给我们提出了解决问题的新的思路。 Faced with the confusion of “global cultural convergence,” our architects either directly surrendered or supported hard by “regionalism.” China's architectural personality is moving toward two extremes: First, the blind pursuit of “internationalism” Indulge in the profound degeneration of the traditional values ​​in the heart; on the one hand, resist the invasion of “cultural convergence” by irrational “mechanical regionalism” and create “fake antiques” in large quantities, pretending that our traditional culture is still deep-rooted. However, no matter what kind of tendencies, can not change our architectural design is experiencing the loss of national character. “Critical geographical industry” has given us a new way of thinking to solve the problem.