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艺术作为人类自我意识的特殊活动,离不开情感的作用。人类所处的艺术背景,就是最能刺激艺术家情感与形式感的环境。本文站在一般艺术学角度,针对仅仅通过形式上的研究来比较中西方园林艺术的漏洞和不足,提出了“阴影补偿理论”——把园林艺术还原到宏观的艺术背景中去,通过从艺术观念的本源置换出中西方典型园林艺术的审美细胞与灵感形成的出处,进而完成中西方园林艺术差异的研究,为未来园林艺术中古典园林鉴赏提出了建设性助益。同时,作为一般艺术学的理论支持,也在艺术本体的宏观研究的后续研究中,提供一种可供选择的思路。
Art as a special activity of human self-awareness, can not do without the role of emotion. The artistic background in which human beings live is the environment that most stimulates artists’ feelings and formal feelings. This article stands in the general artistic angle. In order to compare the loopholes and shortcomings of the garden arts both in China and the western world through just the formal studies, this paper puts forward the theory of shadow compensation, which restores garden art to the macroscopic artistic background, From the origin of artistic concept, the origin of the aesthetic cell and inspiration of the typical Chinese and western garden art was replaced. Thus, the research on the difference between Chinese and western garden art was completed, which provided constructive benefits to the appreciation of classical garden in the future garden art. At the same time, as a theoretical support for general art, it also provides an alternative way of thinking in the follow-up study of the macro study of the art ontology.