论文部分内容阅读
中国人不轻言“道”。恰恰表明他们对“道”的崇拜。对“道”的崇拜,也就是对“技”的超越。轻技重道,是中国美学的一个基本特征,在中国艺术家看来,过分拘泥于技,会妨碍形而上境界的到达。将内涵宽泛、玄而又玄的“道”中间断开,拦上技能这道闸门,是日本哲人对中国哲学的一次极富创造性的改造和补充,体现了日本人务实、做事认真的精神和对纪律的崇拜,有其深刻的文化风土背景。
Chinese do not talk softly “Road ”. Just shows that they “Tao ” worship. Adoration of “Road ”, that is, “technology ” beyond. It is an essential feature of Chinese aesthetics that Chinese artists see it as too rigidly based on technology to hinder the arrival of a metaphysical realm. It is a philosophical transformation and supplement of Chinese philosophy by Japanese philosophers that embodies the gate of technology, which has a broad, profound and profound “Taoism” in the middle and blocks up the skills. It reflects the Japanese’s pragmatic and earnest work Spirit and worship of discipline have their own profound cultural background.