论文部分内容阅读
书法不仅是艺术,更是文化,更是情感的依托。一件书法作品只有融入了情感才能称得上是经典。字中之天是傅山提出的,准确的说出了书法的情感追求。傅山的《哭子诗》是书法作品体现情感因素的一个典型例子。而欣赏者在研究一幅书法作品时,最应注重的不是其外在,而是其所体现的善和美,是其情感的流露,这种情感的流露可以说是书法艺术透过线条要表达的理念和实质。
Calligraphy is not only art, but also culture, it is relying on emotion. A calligraphy can only be regarded as a classic if it is integrated into the emotion. Fu Shan is the word of the day, accurately out of the emotional pursuit of calligraphy. Fu Shan’s “crying poem” is a typical example of the emotional factors in calligraphy. The appreciation of the audience in the study of a calligraphy, the most should not focus on its external, but the good and the beauty it reflects its expression of emotion, the expression of this emotion can be said that the art of calligraphy to express through the lines The concept and substance.