“詹姆斯·特瑞尔回顾展”在龙美术馆开幕之后,上海新增了一处拍照胜地。炫目的色彩、视幻的体验让观众流连忘返,不惜排起长队。但在这场拍照狂欢中,光艺术除了视觉中的酷炫外,有多少公共性的讨论,有多少“灵光”呢?的确,新媒体艺术有时候少了先锋性的色彩,有陷入“科技流”的炫技危险。但若是观者带着自律性的严肃,或许可以超越错觉所带来的表象。因为特瑞尔所呈现的光不仅仅是视觉上的,更在于被点亮的灵魂深处,是一场塑造出新场域的仪式,成为色彩、空间与精神的纽带。特瑞尔(James Turrell)作为20世纪“南加州与空间运 ”James Terrell retrospective “ After the opening of the Dragon Art Museum, Shanghai added a new photo resort. Dazzling colors, depending on the experience of illusion so that the audience linger, do not hesitate to lined up long lines. However, in this photography carnival, in addition to visual cool art, how much public discussion, how many ”Emmanuel“ it? Indeed, the new media art sometimes less avant-garde colors, fall into ”Technology Flow “ Hyun technology danger. However, if the viewer is serious with self-discipline, he may be able to surpass the appearance of illusion. Because Terrell’s light is not only visual, but also lies in the depths of the illuminated soul, a ceremony that shapes a new field and becomes a bond of color, space and spirit. James Turrell as 20th Century ”Southern California and Space Transport