绘画的“轻”与“重”我们知道,在劳特累克时代,照片开始流行起来。库尔贝和马奈就曾经参考照片进行绘画。摄影术的出现迫使画家们对以往写实绘画以细节再现为主要目的之一的技艺训练提出了美学上的质疑。细节的轻易获取确实为绘画提供了方便,但也重新提出或定义了绘画的难度。究竟什么才是我们所需要并追求的绘画性?照片所展示的细节与绘画所需要的细节有怎样的关系?照片的真实性与绘画的真实性有什么本质上的差异?这些问题一时 The “light” and “heavy” of the painting We know that in the time of the Lautrec, photos became popular. Courbet and Manet once used the reference pictures for painting. The advent of photography has forced painters to question the aesthetic training of one of the main aims of the realistic painting in the past. Easy access to detail does provide convenience for painting, but also raises or defines the difficulty of drawing. What exactly is the painting that we need and pursue? What is the relationship between the detail shown in the photograph and the details required for the painting? What are the essential differences between the authenticity of the photograph and the authenticity of the painting?