之所以写下这个题目,是因为在传世的数百方磁州窑白地黑花枕上的纹饰中,很少有几方枕是画玉兔纹饰的。这就使我对看到过的这几方枕上的玉兔纹饰画面始终久放不下,在脑海里常常浮现,与宋代崔白《双喜图》中玉兔的形象不断地进行重合且反复的显现。磁州窑在宋元时期受到宋代院体画派的影响,并且有文人参加。换言之,宋代的院体画家曾经参与影响了磁州窑的创作。而磁州窑的工匠们,这些长期生活在社会底层的人民,由于其对生活的热爱,画其所爱,笔触他们所熟悉的生活 The reason why I write this topic is because in the handed down hundreds of black and white pillow on the Cizhou kiln pillow decoration, very few pillow is painted jade rabbit decoration. This made me always see the jade rabbit rabbit decorative picture on these pillow pillow forever, in my mind often emerge, and the Song dynasty Cui Bai “double happiness map” in the continuous image of Rabbit overlap and repeated appearance. During the Song and Yuan dynasties, Cizhou kiln was influenced by the academy and the academy of Song Dynasty and participated in the literati. In other words, the Song Dynasty painters of the hospital had participated in influencing the creation of Cizhou kilns. The Cizhou kiln craftsmen, these long-term living in the bottom of the community of people, because of their love of life, draw their love, strokes their familiar life