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圆霖法师毕身匠心独运的绘画艺术颠覆了传统意义上的文人画的理念,树立了具有当下笔墨情趣与佛门样式的“圆霖体”。其具体表现在:一,将传统佛教艺术重新定义,引入现当代新式文人观念,变传统“画工体”为当下“文人体”;二,通过对田园山居返璞归真佛门式情调的营造,阐释了人生哲理与生命本源的所在,以自身的艺术实践回答了直指艺术本性为当下笔墨意趣转向的方向;三,一生耽情于唐宋宗教绘画审美趣昧的追索,凭着精湛的笔墨技巧、洒脱的胸襟与毕身的佛法修为,为传统佛门绘画作了当下的演绎;四,圆霖法师笔下的艺术叙事,人物是主宰,是基轴,是纲领,山水在人物之中,是人物佛法心胸的外延,随人物的佛门情趣而峰转。
The art of painting by Yuan Lin, a master of art originality, subverts the traditional concept of literati painting, and establishes a “Lin Lin body” with the current taste of ink and style of Buddhism. The concrete manifestation is as follows: First, redefine the traditional Buddhist art, introduce the concept of modern and new literati, change the traditional “Painter’s body” into the current “Man’s body”; secondly, through the establishment of the paradise , Explains where the philosophy of life and origin of life lie, with its own artistic practice to answer the direct nature of art for the moment the direction of interest in the pen and ink; Third, life’s indulgence in religious painting in the Tang and Song Aesthetic enchantment recourse, with superb The art of pen and ink, the free and easy mind and the self-cultivation of the Dharma, made the present interpretation of the traditional Buddhism painting. Fourth, the art narration of the Master Yuan Lin, the character is the master, is the axis, is the program, In, is the extension of the character Buddhist Dharma, with the character of Buddhism and the peak turn.