论文部分内容阅读
本文从社会文化的视角分析和论述了被誉为“乐器之王”的钢琴这一西方乐器,自上个世纪初传入中国后如何以其优越的音乐表现性能、广泛的音乐社会用途和被西方人赋予的“高贵”身份在中国大地上赢得其特殊文化身份,发挥其广泛社会功能的。文中从钢琴首先在西方获得乐器王者之尊荣的历史背景的陈述引入,首先分析了钢琴传入中国后的社会境遇及其文化身份的确立,接着讨论了钢琴在当代中国的社会功能及更能转型,最后探讨了中国钢琴乐器现代性功能的社会意义。
This article analyzes and discusses the western musical instrument known as the “King of Musical Instruments” from the perspective of social culture. Since its introduction into China at the beginning of the last century, how to express its performance with superior musical performance and a wide range of musical social uses And by the Westerners given “noble ” identity in the land of China to win its special cultural identity, to play its wide range of social functions. This article introduces the historical background that the piano was first honored by the western king. Firstly, it analyzes the social situation of the piano after its introduction in China and the establishment of its cultural identity. Then it discusses the social function of the piano in contemporary China and more Transition, finally discussed the social significance of the modernity function of Chinese piano instruments.