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先唐宫殿赋从最初谫陋不文的陈词具文到对宫殿本体的审美发现,再到精微刻写之进步、主观情感经验之介入,转而显现繁芜累句之病,最终发展出舒朗清丽的锦篇佳构。探讨宫殿赋在不同时空中的书写变化,在重建宫殿赋历史谱系的前提下具体作品如何回应、继承、摒弃先代传统,又怎样完成开创、渐趋僵硬、再生活力,具有很重要的意义。其写作方法与表述模式的迁移转换不仅折射出一时审美蕲向与文学旨趣的递嬗,对了解一种文学体式的发展理路与隆替轨迹尤多提示。
The first palace of the Tang Dynasty from the initial humble essay essay to the aesthetic discovery of the palace ontology, and then to fine engraved progress, the involvement of subjective emotional experience, turn to the complexity of the disease appears tired, eventually developing Shu Beautiful Qinglang fine structure. It is of great significance to explore the change of the writing of palace fu in different time and space, how to respond to the specific works under the premise of reconstructing the historical pedigree of the palace, to inherit and abandon the traditions of the ancestors, and how to accomplish the goal of creating, becoming more rigid and revitalizing. The transformation and transformation of his writing methods and expression patterns not only reflect the transmutation of aesthetic tendency and literary interest at a moment’s notice, but also hint at understanding the development path and longing trajectory of a literary style.