《花红竹翠鸟儿鸣》鄂栋臣此作构图较为完整,竹竿的墨色变化把握得比较好,竹叶与牵牛花叶遥相呼应,墨色的枯湿浓淡、疏密变化错落有致;红色的牵牛花在画面中十分醒目,且富有层次;一只鹩哥仰头鸣叫,给沉闷的画面增添了几分生机。大写意绘画以抒情和畅神为目的,神与情应通过练达的笔墨写出来,唯有强劲的笔墨功力方可尽妙。然而需要注意的是,画面中竹干的用笔缺乏力度,竹节生长处的笔法交待模糊;牵牛花的叶子缺少穿插的结构关系。 “Red Bamboo Kingfisher” Ming Dong for the composition of a more complete picture, bamboo changes in ink color grasp better, bamboo leaves and morning glory leaves echoed, the color of the wet shades, density changes patchwork; red pull Cattle in the picture is very eye-catching, and full of layers; a Ge brother upstairs tweet, add a bit boring vitality of the picture. In order to express lyrical and unobtrusive, the freehand brushwork is written by the refined brushwork, and only with strong pen and ink can we make the best. However, it should be noted that there is a lack of effort on the pen in the picture and the blurring of the brushwork in the growth of the bamboo. The leaves of the morning glory lack the interspersed structural relationship.