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在探讨造型艺术渊源的总题目下,前文已着重从民间美术“与人类劳动、生活共起始”,“民间美术,根固流长”和“影响着世代画坛宗师”等三个方面,论证了“民间美术是一切美术的基础”,并引出了造型艺术的其他门类。本文试图从借鉴民间美术发展的轨迹,探讨我国民间美术的优秀传统,新形势下造型艺术的困惑和民间美术与工艺美术的亲缘关系。 一、尊重历史,继承传统 “观今宜见古,无古不成今”。今天的现实是昨天历史发展的结果。因此,对待历史的态度不是承认和尊重与否的问题,而是必须尊重、继承,在这个问题上没有任何例外
Under the general theme of exploring the origins of the art of plastic arts, the preceding article has focused on the following three aspects: starting with folk art “starting with human labor and living”, “folk art, rooting solid flow” and “influencing generations of painting masters” “Folk art is the foundation of all art,” and leads to other categories of plastic arts. This article attempts to learn from the track of the development of folk art to explore the fine tradition of folk art in our country, under the new situation, the perplexity of plastic arts and the relationship between folk art and arts and crafts. First, respect for history, inherit the traditional concept of “see the present should see the ancient, no ancient no.” Today’s reality is the result of yesterday’s historical development. Therefore, the attitude toward history is not a question of recognition and respect, but it must be respected and inherited. There are no exceptions to this issue